When we left off last month, I had finished a set of performances in Detroit with the Tchaikovsky 5th Symphony. Usually I do not repeat a work in consecutive weeks, but as it happened, the same piece was scheduled for my return to Lyon.

A question I am asked quite often is, “What are the differences between American and European orchestras?” Here is the ideal opportunity to try to answer this.

Fall is a beautiful time in Michigan. The baseball team has made it to the playoffs for the third year in a row. Apples are plentiful from the orchards in the area. The music scene is springing back into action.

Although it is the start of my sixth season with the Detroit Symphony, it really is more like the third. Back in 2009, I only had a limited number of weeks to lead the orchestra due to previous commitments. The next year a heart attack put me out of commission for three months. And in the following season—well—our weeks together were cancelled due to a debilitating labor dispute.

Vacation is over. No more Mai Tais. The only surfing to be done is on the Internet. I had not…

As I write this, vacation is about to come to an end. Having a nice long stretch of time off proved invaluable. Among other things, I wrote a piece for woodwinds and strings that will be premiered in the 14-15 season. This was something I had planned for a long time but needed an extended period in order to complete the work. It has turned out to be just what I intended.

There was a lot of baseball viewing, both in person and on TV. The Tigers are looking pretty good for the playoffs. One thing that was surprising: no matter where I went, when I wore a Tigers cap, people invariably stopped me to comment on either the team or the city. This really never happened when I was in St. Louis. Guess it was assumed that things were okay there.

VACATION!

This is a word that I have not had in my vocabulary for quite a while. After an extremely busy season, winter, spring and summer, I am taking several weeks off to recharge the batteries.

July provided some more than pleasant musical experiences. First up was a series of concerts at Greenfield Village. This is a property that tries to replicate early American society, with period costumes and customs. It is also the site where the Detroit Symphony Orchestra plays an annual set of concerts celebrating the Independence of the United States.

For most of my career I have avoided cycles. It has been season after season of as much variety as possible in my repertoire choices. But this past year has been quite different.

There was the Beethoven Symphony Cycle in Detroit as well as the four Ives Symphonies. In Lyon we have been inundated with Ravel. And to close out the season, there was a complete grouping of all the Rachmaninov works for piano and orchestra.

Starting with the day of arrival, I began keeping a journal of thoughts regarding the 14th Cliburn competition. All the entries are as I wrote at the end of the day, with nothing altered.

June 4, 2013
It’s hot here in Fort Worth, and not only outside. This is the final day of competition to determine the six finalists in the fourteenth Van Cliburn Piano Competition. After ten days of solo playing and chamber music, the thirteen judges will reach a decision around 11 o’clock tonight. These will be the pianists who play concerti with me.

By the end of May, it appeared that Stravinsky might have had the last laugh after all. 100 years after the premiere of The Rite of Spring, the actual season of spring decided not to show up around much of the U.S. and Europe. Unseasonably cool and sometimes cold temperatures prevailed and all the flowers were confused.

The weather was much better inside the concert halls, although in Lyon, we had a different venue to contend with. Our Auditorium is closed for the next several months, as repairs are being made to the heating and air conditioning systems, as well as a restoration and general cleaning of the organ pipes. This meant that we had to find a place to play.

From Motown to Manhattan. That was the slogan in Detroit for May.

For the first time in 17 years, the DSO was headed for Carnegie Hall, part of the Spring for Music Festival. The basic concept was that orchestras were to present program ideas and those with the most intriguing would be invited to participate, six in total each season.

Our offering was to present the four numbered symphonies of Charles Ives. This had never been done, as far as we knew, and the idea resonated with the presenters. We planned the last part of our regular season in Detroit accordingly, raised the necessary funds and thought we were good to go.

April in Lyon. Spring decided to wait a little before showing up.

After the Moscow adventure it was nice to get back to my other home. These would be the final two weeks in the Auditorium, as it will be closed for about 5 months while crews repair the air conditioning and heating systems. Also, the organ is undergoing a transplant. New pipes and a general cleaning are in store for the instrument.

In the meantime, we had two wonderful programs to present, each featuring Jean Yves Thibaudet, a Lyon native. I have said it before but it bears repeating. In my opinion, there is no pianist who has grown so much over the years. His approach to music has always been refined and subtle but during the past five years or so, he has captured the essence of the long line. It does not matter what he is playing, you can always be assured that Jean Yves will deliver an outstanding performance, filled with color and beauty.