Author archive for leonard slatkin

  • Slatkin Returns to Japan to Conduct in Tokyo, Osaka, and Hiroshima

    January 13, 2025

    Leonard is preparing for concerts with the Tokyo Metropolitan Symphony Orchestra January 14-15 in Suntory Hall. The program includes Cindy McTee’s Adagio for Strings, Walton’s Violin Concerto, and Rachmaninoff’s Symphony No. 2.

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  • JANUARY 2025

    Before all the holidays converged at the same time, the first half of December was relatively quiet for Cindy and me, except for one conducting assignment that turned out to be very interesting.

    For the past several years, I have been doing some teaching at the Manhattan School of Music. The conservatory is housed in the same building where my mother, uncle, brother, and I all studied while attending Juilliard. Every time I enter the door at 122nd Street and Claremont Avenue, I am reminded of the rich tradition of music that has emerged from those storied halls.

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  • Flying Blind: A Conductor’s Guide to Taking an Audition

    December 16, 2024

    Leonard Slatkin shares his perspective on how string players should best approach a blind orchestral audition in a series of articles for The Strad.

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  • Flying Blind: A Conductor’s Guide to Taking an Audition

    Auditioning is one of the most nerve-racking hurdles for any musician. Hours of practice and preparation cannot compare with the actual experience of playing before an unseen group of adjudicators.

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  • DECEMBER 2024

    Reunions and a debut marked this past month, with a few side trips along the way. And of course, we had an election. More about that in a moment.

    Nearly two years had passed since my last visit to the Detroit Symphony. As its music director laureate, I have the honor of being regarded as the grand old man with a degree of experience that can make a difference. I picked up right where I left off with the musicians who knew me during the ten years that I led the ensemble. Rehearsals were efficient and filled with musical information that needed to be digested quickly because we only had two days to rehearse instead of three. Absorbing the material is challenging when the schedule is condensed, especially for younger musicians who are unfamiliar with the repertoire.

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  • Rave Reviews for Slatkin, Ax, and the NSO in Washington, D.C.

    November 15, 2024

    Reviewers praised the opening performance of Slatkin’s program with the National Symphony Orchestra, which features Cindy McTee’s Double Play, Mozart’s Piano Concerto No. 20 with soloist Emanuel Ax, and Walton’s Symphony No. 1.

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  • NOVEMBER 2024

    Sometimes plans come together in ways that might be predicted but at the same time offer wonderful surprises. I knew that the early September birthday celebrations were just a part of what was to come throughout the season, but I had no idea of the impact they would make on me.

    After the successful premiere of Daniel’s Voyager 130 in Dublin, we headed to Lyon for another performance of this piece and other works by members of clan Slatkin. This was a two-week stint, a rare privilege for a guest conductor, but this milestone birthday has its benefits. Settling into one place for an extended stay means at least one less airplane.

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  • Slatkin’s Legacy: A Birthday Celebration at the SLSO

    October 23, 2024

    The St. Louis community will gather this week to celebrate Slatkin’s 80th birthday and 55-year legacy with the SLSO. The weekend includes a concert program with deep personal meaning, a conducting workshop, and a book discussion.

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  • All Strings Attached: The Motor That Drives an Orchestra

    They play more notes than anyone else on the stage. They can be the heart and soul of the ensemble, differentiating orchestras from their counterparts in the band world.

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  • OCTOBER 2024

    80 is not the new 60; it is 80—period.

    Not that it seems to have mattered very much, as I feel great. The new number on the left has been around for a few weeks now, and gradually, I have eased my way back into season-opening form.

    On September 1, we had a few friends over to the house for wine and cheese, followed by more wine. Cindy had surprised me the previous evening with some wonderful gifts, including the new computer on which I am writing this essay. Looks much better, doesn’t it?

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