Author archive for leonard slatkin

  • AUGUST 2025

    From Transylvania to Pasadena—those are words I never expected to write, but they represent two of the very interesting visits that occupied the past month. The former region is not the one associated with vampires, which, as far as I know, do not inhabit the mountains of North Carolina.

    Let’s start with what turned out to be a surprisingly wonderful experience at the Brevard Music Festival. I had always heard of it but knew very little of its history. Its origins date back to 1936 with the founding of a summer music camp, and the annual festival began ten years later. That places it among the oldest of festivals in the United States.

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  • Slatkin Returns to the Nashville Symphony as Music Advisor

    July 16, 2025

    The Nashville Symphony announced today that Slatkin will return to serve as Music Advisor for the next three years. Slatkin will lead the orchestra through a pivotal period that includes the 20th anniversary of Schermerhorn Symphony Center.

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  • JULY 2025

    Not a Marx brother in sight, but I spent many June days and nights at the opera enjoying Britten’s fun and fantasy-filled adaptation of A Midsummer Night’s Dream.

    Several years ago, on this same site, I wrote about putting together a standard opera production at the Metropolitan Opera. That journal entry turned out to be controversial, but I still think it is valuable to understand the process that goes into bringing a work to life from the planning stage to performance. This month, I will take you behind the scenes at the Opera Theatre of St. Louis and explain how we put it all together.

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  • JUNE 2025

    Everything was fine until the missile landed at the airport.

    Do I have your attention now? More about that in a bit.

    May picked up where April left off, with another outstanding week in Las Palmas. This time, we had an all-orchestral program that truly tested the musicians in three stylistically different works. With the memories of an outstanding Bruckner’s Fourth, we dove into Brahms, Cruixent, and Tchaikovsky with fervor and energy.

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  • Slatkin to Speak at New Hollywood String Quartet’s Summer of Angels Festival

    May 19, 2025

    Leonard will introduce the Summer of Angels Chamber Music Festival July 10-13 at The Huntington in San Marino, CA. The concerts will feature the New Hollywood String Quartet playing repertoire recorded by the original Hollywood String Quartet.

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  • Leonard Slatkin Returns to Opera Theatre of St. Louis

    May 14, 2025

    Leonard returns to the Opera Theatre of St. Louis for its 50th anniversary season as conductor of Britten’s A Midsummer Night’s Dream. The production runs June 14-28 at the Loretto-Hilton Center.

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  • MAY 2025

    Sometimes I look at my calendar and say to myself, “What was I thinking?” What might appear simple and straightforward can turn into something unusual and not quite so understandable.

    It has been a very busy first half of 2025 as orchestras kindly continued to mark my eightieth birthday. With projects piling up, I wondered if this end-of-season push might be too taxing.

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  • “Slatkin Shuffle” Radio Program to Air in Las Vegas

    April 2, 2025

    Beginning Sunday, April 6, Nevada Public Radio Classical 89.7 KCNV will syndicate Leonard’s weekly radio show, The Slatkin Shuffle. Tune in from 1 p.m. to 3 p.m. Pacific as Leonard shares anecdotes about the eclectic collection of songs in his playlist.

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  • APRIL 2025

    To paraphrase John Oliver, “It has been a busy month.”

    After the relatively quiet February, March came in like a lion and never let up. When I looked at my calendar, it appeared somewhat normal, but that might have been more in line with a time when I was a younger man. It was a lot to pack in, and I shall try and summarize as succinctly as possible.

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  • Slatkin Returns to the New York Philharmonic

    March 24, 2025

    This week, Leonard leads the New York Philharmonic. A highlight in his milestone 80th birthday season, the three-concert engagement features Cindy McTee’s Double Play, John Corigliano’s Triathlon with saxophone soloist Timothy McAllister, and Shostakovich’s Symphony No. 5.

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