2022 was a particularly difficult year for me. The music-making (when it occurred) was fine, Cindy and I took some wonderful trips, and I started some projects that you will learn about over the next several months.

But I lost some good folks along the way, first and foremost my brother, Fred. After he passed away, I posted a chapter of a book that I was working on. It was a portrait of my baby brother. When I found it in a folder, I also discovered that he had completed an essay about our mom. I had written one about our dad, but Fred knew more about our maternal side and was the keeper of the family archives.

November marked a relatively calm month of conducting good music, and nothing overly strenuous. Consequently, as I begin a period of several weeks off, I do not need much time to wind down. Well, maybe I should not discount jet lag as I adjust to the time difference between Japan and St. Louis.

In the past month, I had the opportunity to lead a group of wind players in a Chamber Music Society of St. Louis concert, which included a beautifully played Serenade for Wind Instruments by Dvořák; Stravinsky’s L’histoire du soldat, a piece I had not conducted in quite a while; and the Petite Symphonie by Gounod.

Finally, it was back to more-or-less regular music-making. Although one could still see signs of Covid with different restrictions in place at restaurants, in public gathering places, and in concert halls, everyone seemed happy to be back doing what they love.

The first stop on a three-week tour was in Hannover, Germany. This northern city is home to my longtime agents in Europe, KD Schmid. Ever since I began conducting, they have overseen most aspects of my career in Europe. I was quite sure I had never conducted in the city where they are headquartered.

In the month after my brother’s passing, much of what I accomplished was colored with loss. Although I was always able to do what was asked of me, there were moments of heaviness when I became distracted by wonderful memories of Fred’s life. But carry on we must.

For the second time, it was my privilege to conduct the final round of the International Violin Competition of Indianapolis. Under the expert leadership of Glen Kwok and chairman Jaime Laredo, this has become the most prestigious of all the violin contests in the United States. It attracts competitors from around the world, with six players advancing to the last round.