
CONDUCTOR | COMPOSER | AUTHOR
Tune in at 3 p.m. Central for the "Time and Time Again" episode of The Slatkin Shuffle. Listen today at 107.3FM, or stream at and . #leonardslatkin #slatkinshuffle #classic1073 ... See MoreSee Less
Tune in at 3 p.m. Central for the "Time and Time Again" episode of The Slatkin Shuffle. Listen today at 107.3FM, or stream at and . #leonardslatkin #slatkinshuffle #classic1073 ... See MoreSee Less
April 6, 2021
Leonard Slatkin returns to Rhode Island this week to fill in for conductor Bramwell Tovey in a program featuring Bartók’s Romanian Folk Dances, Wagner’s Siegfied Idyll, and Jon Kimura Parker performing Mozart’s Piano Concerto No. 21. The concert will be live-streamed on Saturday, April 10, at 8 p.m. EDT.
March 16, 2021
Slatkin returns to the stage with live concerts on Saturday, March 20. The program includes Saint-Saëns’s Introduction and Rondo Capriccioso and Vaughan Williams’s The Lark Ascending with violinist Jennifer Frautschi, the First Symphony of 18th-century Black French composer Chevalier de Saint-Georges, Cindy McTee’s Adagio, and Percy Grainger’s arrangement of Danny Boy.
Following the seven-week Asian tour of the past year, 2026 started off calmly. I was at home for a while, recuperating from jet lag and getting used to winter weather. For those of us from Los Angeles, this is no easy task.
As the month progressed, the news from Washington kept piling up. My colleagues at the Kennedy Center could not have truly anticipated how the transformation would disrupt their lives to the extent it has. I don’t want to dwell on this too much here. You all know what is going on.
Internationally acclaimed conductor Leonard Slatkin is Music Director Laureate of the Detroit Symphony Orchestra, Directeur Musical Honoraire of the Orchestre National de Lyon, Conductor Laureate of the St. Louis Symphony Orchestra, Principal Guest Conductor of the Orquesta Filarmónica de Gran Canaria, Artistic Consultant to the Las Vegas Philharmonic, and Artistic Advisor to the Nashville Symphony. He maintains a rigorous schedule of guest conducting and is active as a composer, author, and educator.
A six-time Grammy winner and recipient of the National Medal of Arts, Slatkin also holds the rank of Chevalier in the French Legion of Honor. He has been awarded the Prix Charbonnier from the Federation of Alliances Françaises, Austria’s Decoration of Honor in Silver, and the League of American Orchestras’ Gold Baton. His debut book, Conducting Business (2012), for which he received the ASCAP Deems Taylor Special Recognition Award, was followed by Leading Tones (2017) and Classical Crossroads: The Path Forward for Music in the 21st Century (2021). His latest books are Eight Symphonic Masterworks of the Twentieth Century (spring 2024) and Eight Symphonic Masterworks of the Nineteenth Century (fall 2024), part of an ongoing series of essays that supplement the score-study process, published by Bloomsbury.
Internationally acclaimed conductor Leonard Slatkin is Music Director Laureate of the Detroit Symphony Orchestra, Directeur Musical Honoraire of the Orchestre National de Lyon, Conductor Laureate of the St. Louis Symphony Orchestra, Principal Guest Conductor of the Orquesta Filarmónica de Gran Canaria, Artistic Consultant to the Las Vegas Philharmonic, and Artistic Advisor to the Nashville Symphony. He maintains a rigorous schedule of guest conducting and is active as a composer, author, and educator.
A six-time Grammy winner and recipient of the National Medal of Arts, Slatkin also holds the rank of Chevalier in the French Legion of Honor. He has been awarded the Prix Charbonnier from the Federation of Alliances Françaises, Austria’s Decoration of Honor in Silver, and the League of American Orchestras’ Gold Baton. His debut book, Conducting Business (2012), for which he received the ASCAP Deems Taylor Special Recognition Award, was followed by Leading Tones (2017) and Classical Crossroads: The Path Forward for Music in the 21st Century (2021). His latest books are Eight Symphonic Masterworks of the Twentieth Century (spring 2024) and Eight Symphonic Masterworks of the Nineteenth Century (fall 2024), part of an ongoing series of essays that supplement the score-study process, published by Bloomsbury.
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