
CONDUCTOR | COMPOSER | AUTHOR
Tune in at 3 p.m. Central for the "Time and Time Again" episode of The Slatkin Shuffle. Listen today at 107.3FM, or stream at and . #leonardslatkin #slatkinshuffle #classic1073 ... See MoreSee Less
Tune in at 3 p.m. Central for the "Time and Time Again" episode of The Slatkin Shuffle. Listen today at 107.3FM, or stream at and . #leonardslatkin #slatkinshuffle #classic1073 ... See MoreSee Less
June 24, 2022
Today marks the release of The Paper Lined Shack on Supertrain Records. The album features Slatkin conducting the Eastman Philharmonia and soprano Hila Plitmann in Jeff Beal’s song cycle inspired by the diary of Beal’s great-grandmother Della, a widow who raised her family on a ten-acre farm in Idaho.
June 15, 2022
The Orquesta Filarmónica de Gran Canaria has announced Slatkin’s three-year appointment as Principal Guest Conductor. Slatkin made his debut with the orchestra this past April. “This is a fantastic ensemble, responsive at every turn and full of life in rehearsals and the concert,” Slatkin stated.
Following the seven-week Asian tour of the past year, 2026 started off calmly. I was at home for a while, recuperating from jet lag and getting used to winter weather. For those of us from Los Angeles, this is no easy task.
As the month progressed, the news from Washington kept piling up. My colleagues at the Kennedy Center could not have truly anticipated how the transformation would disrupt their lives to the extent it has. I don’t want to dwell on this too much here. You all know what is going on.
Internationally acclaimed conductor Leonard Slatkin is Music Director Laureate of the Detroit Symphony Orchestra, Directeur Musical Honoraire of the Orchestre National de Lyon, Conductor Laureate of the St. Louis Symphony Orchestra, Principal Guest Conductor of the Orquesta Filarmónica de Gran Canaria, Artistic Consultant to the Las Vegas Philharmonic, and Artistic Advisor to the Nashville Symphony. He maintains a rigorous schedule of guest conducting and is active as a composer, author, and educator.
A six-time Grammy winner and recipient of the National Medal of Arts, Slatkin also holds the rank of Chevalier in the French Legion of Honor. He has been awarded the Prix Charbonnier from the Federation of Alliances Françaises, Austria’s Decoration of Honor in Silver, and the League of American Orchestras’ Gold Baton. His debut book, Conducting Business (2012), for which he received the ASCAP Deems Taylor Special Recognition Award, was followed by Leading Tones (2017) and Classical Crossroads: The Path Forward for Music in the 21st Century (2021). His latest books are Eight Symphonic Masterworks of the Twentieth Century (spring 2024) and Eight Symphonic Masterworks of the Nineteenth Century (fall 2024), part of an ongoing series of essays that supplement the score-study process, published by Bloomsbury.
Internationally acclaimed conductor Leonard Slatkin is Music Director Laureate of the Detroit Symphony Orchestra, Directeur Musical Honoraire of the Orchestre National de Lyon, Conductor Laureate of the St. Louis Symphony Orchestra, Principal Guest Conductor of the Orquesta Filarmónica de Gran Canaria, Artistic Consultant to the Las Vegas Philharmonic, and Artistic Advisor to the Nashville Symphony. He maintains a rigorous schedule of guest conducting and is active as a composer, author, and educator.
A six-time Grammy winner and recipient of the National Medal of Arts, Slatkin also holds the rank of Chevalier in the French Legion of Honor. He has been awarded the Prix Charbonnier from the Federation of Alliances Françaises, Austria’s Decoration of Honor in Silver, and the League of American Orchestras’ Gold Baton. His debut book, Conducting Business (2012), for which he received the ASCAP Deems Taylor Special Recognition Award, was followed by Leading Tones (2017) and Classical Crossroads: The Path Forward for Music in the 21st Century (2021). His latest books are Eight Symphonic Masterworks of the Twentieth Century (spring 2024) and Eight Symphonic Masterworks of the Nineteenth Century (fall 2024), part of an ongoing series of essays that supplement the score-study process, published by Bloomsbury.
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