There was a time when I would look at my calendar and say to myself, “Self, you are not too busy. Have a nice summer.” That was how it appeared it was going to be for a while this year. But priorities have a way of piling up, and now I find myself with just a little too much to do and not much time to accomplish it.

It all started out with a promise I made to my brother at his gravesite. He passed away on my birthday, September 1^st, and we gathered in New Jersey two days later to lay him to rest.

Orchestras are heading into the home stretch as the season winds down. Fortunately, I have had enough downtime to continue my work on some projects that do not involve standing on the podium, and this will be the case for most of the summer. At the end of September, I hope to be able to inform you of what I think are a couple exciting pieces of news.

In the meantime, I wrapped up this season’s concert appearances in Europe with a performance of Beethoven’s Missa Solemnis in Warsaw. This was my third outing with the work, and it has not lost any of its power or difficulty. When I was around twenty years old, I played viola for a performance at UCLA conducted by Roger Wagner. Some of you will remember the recordings made by his Chorale.

Do you remember when airplane travel was fun? There was a time when the flights were just as exciting as the trip itself, for all the right reasons. Today, travel is an adventure before you even get to the airport.

Organization is the key to relieving much of the stress that accompanies journeys both domestic and international. This means you have to know the rules and, at the same time, understand that forces outside of your control can change even the best-laid plans.

Quad counties to merge orchestral institutions

Mesquala, NE

In a highly unexpected move, the collective boards of the orchestras in Abilonia, Quintanova, Mesquala, and Sustanati counties have voted to merge their four groups and call the resulting organization the QUAS Symphonic Ensemble. Although each county has maintained an independent orchestra for the past thirty-five years, sources say that the financial pressures have been too great to surmount.

Each year, in addition to my activities at the Manhattan School of Music, I try to do some educational work at other music institutions in the States. These are almost always schools I have never visited, and it gives me a chance to see how we are doing in terms of training young musicians who are about to begin their professional careers.

In late January, it was Yale’s turn, the university where Cindy earned her master’s degree and one with an excellent tradition of outstanding scholarship. At first, I only was asked to lead a concert with the orchestra, but after a little bit of prodding on my part, I was also able to participate in a session involving the composition students.

“Don’t step on the iguana!”

And with those words, Cindy and I arrived at the Galapagos Islands for 10 days of truly incredible vistas and encounters with wildlife. It turns out that Ecuador is pretty much a straight shot down from St. Louis, but you wouldn’t know it from the route that the three airplanes took to get to San Cristóbal Island and back. As is the case so often, the travel part was the least fun.

2022 was a particularly difficult year for me. The music-making (when it occurred) was fine, Cindy and I took some wonderful trips, and I started some projects that you will learn about over the next several months.

But I lost some good folks along the way, first and foremost my brother, Fred. After he passed away, I posted a chapter of a book that I was working on. It was a portrait of my baby brother. When I found it in a folder, I also discovered that he had completed an essay about our mom. I had written one about our dad, but Fred knew more about our maternal side and was the keeper of the family archives.

November marked a relatively calm month of conducting good music, and nothing overly strenuous. Consequently, as I begin a period of several weeks off, I do not need much time to wind down. Well, maybe I should not discount jet lag as I adjust to the time difference between Japan and St. Louis.

In the past month, I had the opportunity to lead a group of wind players in a Chamber Music Society of St. Louis concert, which included a beautifully played Serenade for Wind Instruments by Dvořák; Stravinsky’s L’histoire du soldat, a piece I had not conducted in quite a while; and the Petite Symphonie by Gounod.

Finally, it was back to more-or-less regular music-making. Although one could still see signs of Covid with different restrictions in place at restaurants, in public gathering places, and in concert halls, everyone seemed happy to be back doing what they love.

The first stop on a three-week tour was in Hannover, Germany. This northern city is home to my longtime agents in Europe, KD Schmid. Ever since I began conducting, they have overseen most aspects of my career in Europe. I was quite sure I had never conducted in the city where they are headquartered.

In the month after my brother’s passing, much of what I accomplished was colored with loss. Although I was always able to do what was asked of me, there were moments of heaviness when I became distracted by wonderful memories of Fred’s life. But carry on we must.

For the second time, it was my privilege to conduct the final round of the International Violin Competition of Indianapolis. Under the expert leadership of Glen Kwok and chairman Jaime Laredo, this has become the most prestigious of all the violin contests in the United States. It attracts competitors from around the world, with six players advancing to the last round.