Author archive for leonard slatkin

  • Pianist Michel Camilo Joins Slatkin and the DSO for Symphonic Jazz Concerts

    April 19, 2017

    Leonard Slatkin and the Detroit Symphony Orchestra welcome pianist and composer Michel Camilo for a concert program that includes Shostakovich’s Jazz Suite No. 1 and Camilo’s own Triple Concerto, featuring a jazz trio comprising Camilo, bassist Ricky Rodriguez, and drummer Cliff Almond.

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  • Leonard Slatkin’s Conducting School, Lesson Seven: The Other Beats

    April 15, 2017

    In the April installment of Leonard Slatkin’s Conducting School, Maestro Slatkin delves into the technical aspects of the beat, expounding on how to deal with time signatures involving five, six, or seven beats per bar.

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  • Slatkin Leads Peabody Symphony Orchestra with Soloist Marina Piccinini

    April 12, 2017

    Leonard Slatkin will conduct the Peabody Symphony Orchestra at Johns Hopkins University in a concert featuring renowned flutist Marina Piccinini. This free event takes place on Saturday, April 15, at 8 p.m. in the Miriam A. Friedberg Concert Hall at the Peabody Institute and will also be streamed live.

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  • Now Available on Naxos: Ravel’s “Antar”

    April 6, 2017

    Naxos has released the next installment in the Orchestre National de Lyon’s Ravel cycle with the premiere recording of Antar. Ravel’s colorfully re-orchestrated selections from works by Rimsky-Korsakov have been revived and reconstructed alongside a new text that symbolizes the romance and chivalric spirit of Antar, the warrior-poet, and his beloved Abla.

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  • Mahlerian Madness

    I have a confession. Pretty much throughout my years as a student at the Juilliard School, I hated Gustav Mahler. The symphonies were too long, too loud, derivative and, at least to me, boring. One morning a friend spotted me in the cafeteria and said he had an extra ticket to a concert that night by the Philadelphia Orchestra. I asked what they were playing and he said, “The New York premiere of the Tenth Mahler.”

    “Why would I want to hear a work by a composer I don’t like, much less one that he did not finish?”

    “Because it is the Philadelphia Orchestra,” my friend replied.

    That was good enough for me. And that night, I was not only captivated by the incredible playing but also moved by the piece. Thus started my relationship with the Austrian master.

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  • APRIL 2017

    Following the successful tour of the ONL in the States and a few free days at Disney World, it was time to get back to Europe. But in this case, it was to work with two orchestras I had not seen for almost ten years and another that was a debut.

    Milan may be the fashion capital of the world, but it is likewise notable when it comes to music and food, two of my passions. La Scala is obviously the drawing card, but the city also has a very good symphony orchestra, known simply as La Verdi. Having made several visits there over the years, I knew what to expect, even though there are many new musicians in the orchestra.

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  • Slatkin to Lead DSO in Concerts Featuring Sharon Isbin

    April 3, 2017

    The Detroit Symphony Orchestra welcomes guitarist Sharon Isbin for a concert program that includes Vivaldi’s Concerto for Lute and Chris Brubeck’s Affinity: Concerto for Guitar and Orchestra. Mahler’s dramatic Tenth Symphony in the Deryck Cook completion rounds out the program.

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  • Leonard Slatkin Receives Award for Cultural Diplomacy in Italy

    March 20, 2017

    The Consulate General of the United States of America in Milan, Italy, presented Leonard Slatkin with the Consul General’s Award for Cultural Diplomacy on March 19.

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  • Leonard Slatkin’s Conducting School, Lesson Six: A Few Exercises

    March 15, 2017

    In the sixth monthly installment of Leonard Slatkin’s Conducting School, Maestro Slatkin demonstrates practical exercises designed to help students develop independence in their right and left hands.

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  • Orchestre National de Lyon Triumphs in the States

    March 6, 2017

    The Orchestre National de Lyon’s six-concert, six-city tour of the United States was met with overwhelmingly positive reviews. From Carnegie Hall to the Kravis Center in West Palm Beach, the orchestra lived up to its reputation as “probably the most refined ensemble of the world” (The Guardian).

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